Morph Studio is a web tool that uses AI to help you make videos and images + offers video style transfer.
It’s a clean all-in-one space where you type a few words or drop in an image and start seeing visual results right away. You can build short clips or animate scenes using its canvas tool and it all happens right in your browser.
You get one big canvas where you can build out your visual idea. You’re not just typing prompts but actually moving things around. You can drag and drop dialogue boxes, place them anywhere and it feels a bit like digital storyboarding. It’s hands-on and lets you play like you’re directing a scene.
It also helps if you’re working on a lot of clips. You can upload content in bulk and download it all with one click. That makes it good for batch jobs or social media posts where time matters. You won’t waste time repeating steps over and over.
Morph Studio pulls from different AI models like Veo 3 and GPT‑Image‑1 so you’re not locked into one style. You can try different models in the same place which gives you more freedom to experiment without needing extra tools.
It works on a subscription setup with a free starter tier but you’ll likely need to pay for full access later.
Currently, Morph’s lightest plan is $10/month for 3,000 credits, enough for about 30 videos (5 seconds each) at $0.33 per video with its own model (Morph).
Tags
Freemium Proprietary License Web-based#Creative AI Suites
Educators and TrainersCreative ProfessionalsContent CreatorsMedia and Film MakersMarketing and Branding SpecialistsDevelopers and Tech CreatorsNonprofit and Advocacy CreatorsSmall Business OwnersEntertainment and Performance ArtistsProfessional Content Creators
Veo 3 and GPT-Image-1 are now available — the latest frontier models
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A swirl of thick, glossy paints—electric blue, crimson red, deep violet, and canary yellow—suspend mid-air against a seamless soft-gray backdrop. They begin rotating slowly in place, then spiral outward in rhythmic bursts, dancing like a gravity-defying ballet. Each color leaves trails that weave into one another, colliding and splashing mid-flight. As the swirling tightens, the paints slam together in a perfectly timed crescendo, morphing into a suspended 3D paint-formed sculpture of the words “AI Creators Tools”.
The words are sculpted from thick oil paints in vivid yellow, deep purple, and bright lime-green. Each letter is ultra-bold, geometric sans with slightly rounded corners, front-on view, and medium extrusion depth. The paint strokes are chunky and textured, with visible ridges and glossy wet shine. Colors alternate across letters, some blending at the edges where purple swirls into yellow or lime streaks over purple.
The final form glows subtly from within, with small droplets breaking off and floating away in slow motion, catching the light. A fine mist of color glistens in the background.
Aesthetic: painterly, tactile, art-studio product shot.
Veo 3 and GPT-Image-1 are now available — the latest frontier models
Invite
Feedback
A swirl of thick, glossy paints—electric blue, crimson red, deep violet, and canary yellow—suspend mid-air against a seamless soft-gray backdrop. They begin rotating slowly in place, then spiral outward in rhythmic bursts, dancing like a gravity-defying ballet. Each color leaves trails that weave into one another, colliding and splashing mid-flight. As the swirling tightens, the paints slam together in a perfectly timed crescendo, morphing into a suspended 3D paint-formed sculpture of the words “AI Creators Tools”.
The words are sculpted from thick oil paints in vivid yellow, deep purple, and bright lime-green. Each letter is ultra-bold, geometric sans with slightly rounded corners, front-on view, and medium extrusion depth. The paint strokes are chunky and textured, with visible ridges and glossy wet shine. Colors alternate across letters, some blending at the edges where purple swirls into yellow or lime streaks over purple.
The final form glows subtly from within, with small droplets breaking off and floating away in slow motion, catching the light. A fine mist of color glistens in the background.
Aesthetic: painterly, tactile, art-studio product shot.
Animate this pencil drawing of a cute surreal magical adorable scene, let penguin walk turning around itself while chasing butterflies. Make sure all the butterflies are animated.
A full-body shot holds steady on a heavily-muscled zebra-human hybrid standing squarely in a gritty urban alley. He wears reflective shades, a sleeveless black tank with bold gold "ZOOBRUH" lettering, metallic gold harem pants, and matching gold sneakers.
He quickly bursts into high motion: arms uncrossing in a flash, executing a sharp, anatomical combo — a crisp jab, followed by a powerful upward palm strike that mimics deflecting an invisible opponent. His torso twists powerfully as he delivers a low sweeping kick toward knee-height.
Instantly, he pivots into a spinning roundhouse, the camera catching each muscular rotation through his zebra-striped arms and flexed legs. The sequence ends as he grounds himself into a deep, animalistic stance — one foot forward, fists coiled at the ready, hand feinting, snorting slightly, eyes locked onto the camera.
The camera begins a dolly-in, tightening focus on his final pose. The alley walls behind him are layered with graffiti tags with The text on the right wall reading "AI CREATORS TOOLS", rust-streaked shutters, and old industrial windows under soft afternoon light.
A full-body shot holds steady on a heavily-muscled zebra-human hybrid standing squarely in a gritty urban alley. He wears reflective shades, a sleeveless black tank with bold gold "ZOOBRUH" lettering, metallic gold harem pants, and matching gold sneakers. Suddenly, he bursts into motion: arms uncrossing in a flash, executing a sharp, anatomical combo — a crisp jab, followed by a powerful upward palm strike that mimics deflecting an invisible opponent. His torso twists powerfully as he delivers...
a low sweeping kick toward knee-height, gold pants rippling with the force. Instantly, he pivots into a spinning roundhouse, the camera catching each muscular rotation through his zebra-striped arms and flexed legs. The sequence ends as he grounds himself into a deep, animalistic stance — one foot forward, fists coiled at the ready, hand feinting, snorting slightly, eyes locked onto the camera. The soundscape mixes faint echoes of the city with sharp swooshes and low-impact thuds of movement. The camera begins a slow dolly-in, tightening focus on his final pose, framed by the weathered urban textures and graffiti-tagged brick walls, catching subtle shifts in natural light across his striped skin. The alley walls behind him are layered with graffiti tags with The text on the right wall reading "AI CREATORS TOOLS", rust-streaked shutters, and old industrial windows under soft afternoon light.
An elderly lady is driving her electric wheelchair forward at 140 km/h on a winding mountain road. Due to the high speed, her scarf quickly flaps in front of the camera lens, which is 10 meters behind the wheelchair and moves with the vehicle. The camera is shot from behind; the elements at the side of the road are blurred due to the high speed. The lady is driving very fast and overtaking other cars. This realistic shot was taken with 35mm film.
An elderly lady is driving her electric wheelchair forward at 140 km/h on a winding mountain road. Due to the high speed, her scarf quickly flaps in front of the camera lens, which is 10 meters behind the wheelchair and moves with the vehicle. The camera is shot from behind; the elements at the side of the road are blurred due to the high speed. The lady is driving very fast and overtaking other cars. This realistic shot was taken with 35mm film.
An elderly lady is driving her electric wheelchair forward at 140 km/h on a winding mountain road. Due to the high speed, her scarf quickly flaps in front of the camera lens, which is 10 meters behind the wheelchair and moves with the vehicle. The camera follows her from behind; the elements at the side of the road are blurred due to the high speed. The lady is driving very fast and overtaking other cars. This realistic shot was taken with 35mm film.
Morph was slightly confused having grandma riding backwards instead of camera following from behind. Changd prompt slightly now camera is in front too.
An elderly lady is driving her electric wheelchair forward at 140 km/h on a winding mountain road. Due to the high speed, her scarf quickly flaps in front of the camera lens, which is 10 meters behind the wheelchair and moves with the vehicle. The camera is shot from behind; the elements at the side of the road are blurred due to the high speed. The lady is driving very fast and overtaking other cars. This realistic shot was taken with 35mm film.
An elderly lady is driving her electric wheelchair forward at 140 km/h on a winding mountain road. Due to the high speed, her scarf quickly flaps in front of the camera lens, which is 10 meters behind the wheelchair and moves with the vehicle. The camera is shot from behind; the elements at the side of the road are blurred due to the high speed. The lady is driving very fast and overtaking other cars. This realistic shot was taken with 35mm film.
HunyuanVideo isn't easy to find but it is in Morph Studio so here's the test with grandma riding wheelchair down the road. Missing other traffic, speed is slowish.
Start with a photorealistic, cinematic wide shot of an empty studio with polished concrete floors and with a colorful "WWW.AICREATORS.TOOLS" text on the wall. In the center of the room sits a sealed paint‑can box. The paint‑can box wiggles, then bursts open in a bright, sparkly puff. Instantly, easels, canvases, brush holders, paint palettes, abstract art prints, and colorful storage cubes explode out and rapidly assemble around the room with precise, fast motion. The empty studio transforms into a vibrant creative workspace. You now see a sturdy wooden easel, stacked blank canvases, tiered brush holders brimming with brushes, multicolored paint palettes, framed abstract art prints, and cube‑style storage units sorted by color. The shot ends on a symmetrical view of the fully decorated art studio — lively, inspirational, productive.
Runway Gen-4's output through Morph Studio. It's acceptable, but the canvas in the middle is annoying. Second try produced even worse: no canvas, but just a stand in the middle looking like a wooden cross.
Start with a photorealistic, cinematic wide shot of an empty studio with polished concrete floors and with a colorful "WWW.AICREATORS.TOOLS" text on the wall. In the center of the room sits a sealed paint‑can box. The paint‑can box wiggles, then bursts open in a bright, sparkly puff. Instantly, easels, canvases, brush holders, paint palettes, abstract art prints, and colorful storage cubes explode out and rapidly assemble around the room with precise, fast motion. The empty studio transforms into a vibrant creative workspace. You now see a sturdy wooden easel, stacked blank canvases, tiered brush holders brimming with brushes, multicolored paint palettes, framed abstract art prints, and cube‑style storage units sorted by color. The shot ends on a symmetrical view of the fully decorated art studio — lively, inspirational, productive.